"He knew it wasn't true," Nicks later told Rolling Stone. In one of the most knife-twisting lines on the LP, Buckingham took direct aim at Nicks: " Packing up, shacking up's all you want to do." It was a low blow. He created the impression that there’s a thread running through the whole thing.” "I thought, ‘This is really boring,’ but the Lindsey genius came into play and he fashioned three sections out of identical chords, making each section sound completely different. “It was just three chords and one note in the left hand," Christine McVie said. Right away I liked the fact that I was doing something with a dance beat because that made it a little unusual for me.” When she brought it to the other band members, they were less than impressed. “I found a drum pattern, switched my little cassette player on and wrote ‘Dreams’ in about 10 minutes. “I sat down on the bed with my keyboard in front of me,” Nicks recalled to Blender in 2005.
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The Record Plant room included a sunken pit, Victorian drapes and a black velvet bed upon which Nicks set up shop with a portable electronic piano.
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Nicks had much free time during the recording of Rumours, which she spent alone in an empty studio down the hall built for Sly Stone. It became a my-way-or-the-highway thing with him, which he perfected on the Tusk album.” This was the start of him really calling the shots. Lindsey had a grand plan in his head, and he got his way.
"It took him a while, but eventually, while John was on vacation, he put down his own bass line, one that was very simple, just quarter notes," co-producer Ken Caillat told Music Radar in 2012. John McVie's original bass part was also scrapped, replaced by a part Buckingham wrote himself. The guitarist was reportedly inspired by Bee Gees' "Jive Talkin'," and, when Mick Fleetwood couldn't nail the rhythm, Buckingham played the beat on an office chair to achieve the effect he was looking for.
Not every song written by a scorned lover has to sound so sad. The upbeat opening track makes one thing clear: Lindsey Buckingham is doing just fine in the tall grass with women who aren't Stevie Nicks. Dra- ma." The band members channeled all that into one of music's greatest triumphs.īelow we outline a track-by-track guide to Fleetwood Mac's Rumours. When asked at the time by Rolling Stone what the recording process was like, Christine McVie replied, "Drama. But dig deep into the work you'll uncover a dire, mischievous and dramatic album - a musical soap opera featuring songs written in the aftermath of Stevie Nicks and Lindsey Buckingham's breakup, Christine and John McVie's divorce, Mick Fleetwood's extramarital affairs and widespread drug use.
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